What is your relationship with the history of typography? I consider that a drawing or design done at a particular moment represents that moment, and if I work on it again a month later I'll end up taking it in a different direction. The italics are calm and balanced and only slightly slanted, and they discreetly allow a particular word to stand out, or on the contrary, an entire paragraph to be read with ease. I still haven't found one particular approach! Sometimes you feel the need for a specific character that is perfectly adapted to your needs or desires! Then, I imagine that if I find it suitable (because I always use my typefaces before making them commercially available), it could also be of interest to other designers. Buy Type Foundry 18Th Century Nan 18Th Century Type Foundry Contemporary French Line Engraving Poster Print by (24 x 36) online on Amazon.ae at best prices. How long is a license valid for? Good knowledge of both domains seems important to me in the understanding and production of contemporary characters. Finally, as Art Deco gave the general public access to the “geometric avant-garde”, Molitor allows users to define their own size and style thanks to variable font technology. This questions comes up regularly with the people that I bump into who don’t work in the creative fields. What influences you? Is it really possible to create something new in the field of typeface design? type foundry definition in English dictionary, type foundry meaning, synonyms, see also '-type',blood type',character type',personality type'. What is your relationship with technology? type foundry translation in English - French Reverso dictionary, see also 'type in',type up',blood type',bold type', examples, definition, conjugation How did you get involved with typeface design? How do you begin work on a new typeface? Is it possible to upgrade a license that has been previously purchased? The technical challenge can be stimulating and attractive but it shouldn't overpower the design itself. So I am working on a character in this style, with a very strong “bold” and sober italics. Typeface designers often use the analogy of the chair, or the garment, to justify the fact of designing new typefaces: there are already many type families in existence, some more classical, some more fashionable; some tend to be functional and others are more ornamental, archetypal or unique… But like for any design object, it is always necessary to renew existing forms in order to respond to the needs and the spirit of a time. Is there something specific about your approach to typeface design? Velvetyne is a French libre type foundry designing and releasing cutting edge typefaces “Plaak 2 – Griffon” and “Plaak 3 – Pradel”: narrow characters; Indeed, Salmanazar has a distinctly crafted look, with its own unique characteristics such as its vertical proportions, and its increasingly unusual contrast in the grotesque landscape. A12. Just after that I entered the ANRT, in 2001 – 2002, where I could dive fully into typeface design, by drawing and designing the lowercase M, a character for very small type sizes. I draw the character that I need in my role as a Graphic Designer. If that wasn’t the case I wouldn’t be involved in this profession! GVA wished to show its attachment to “Swiss Graphic Design” and what it carries in terms of quality, precision and rigour, while at the same time presenting a Switzerland quite different to the usual stereotypes that one can imagine. At that time it was a family of twenty or so fonts, that nourished my thinking around the geometrisation of the typographic sign, in vernacular inscriptions and in the European avant-gardes. But, if I absolutely had to choose, I would take the Vendôme from the Olive foundry because it continues to delight me, in its design, its details, its grey, its rhythm. You teach at the ecal. “For the last 20 years, I have extended this family in every direction, to the point of absurdity: extremely narrow or outlandishly large forms, all built from the same modules. A custom typeface for a huge hotel in Las Vegas that was commissioned by an agency. We sought to develop a semi-automatic tool for analysis of ancient books. Do you have a particular process? What led you to this practise? B4. Four typefaces in one to some extent, accessible thanks to the “Stylistic set” function of the OpenType format. Do we ask this question when speaking of painting or photography? The Regular – an incised typeface with pronounced extremities, is designed for reading long texts. This sharp and clear variant is inspired by letters engraved in stone. What type design project are you currently working on? What led you to this practise? For a long time, Damien Gautier has been interested in these letters that everyone sees on a daily basis without really knowing them. It possesses a sort of “adolescent vigour”, frustrated and rowdy. Rough, robust and aggressive, it can be applied to many different uses, whether meticulous or “everyday”. An enhanced version of lowercase letters is currently being studied. add example. This way any variant can be substituted to another, without impacting textflow. A2. What is your relationship with the history of typography? It was then for me primordial to conserve the concept which serves as a basis for the construction of the Kelvin family, something that 205TF understood and supported. My strong interest for systems of writing took shape while I was working on Infini, a free to use typeface family which I designed for the Cnap in 2014. Alcalá has the only the cuts you need! How did you get involved with typeface design? Romain 20 is a contemporary adaptation of a metal typeface originally named “Romain Vingtième siècle”, distributed by the French Fonderie Allainguillaume at the very beginning of the twentieth century. Any transfer, whether it be occasional or permanent, or sharing of a typeface is strictly prohibited. This allowed me to combine my interest for typography, and my relationship with reading and teaching that I had experimented with as a primary school teacher. A precision tool with eleganza torinese, not showing off. Zénith Display would be closer to a marathon runner, skin tightly stretched over lean and jittery muscles. For the Salmanazar typeface, the question of making it smoother was at the core of my process. Follow. I think that my idea of teaching becomes tangible more-so in the exchanges rather than in transmission as such, even though, of course, I do accompany the students, sometimes guiding them and sharing my experience and my skills with them, particularly in typeface design. I try to be as precise as possible and typefaces contribute to this. B1. In order to precisely estimate the cost of this authorization, we require you to provide us with information that is as precise as possible (the client, if you are not subject to a confidentiality clause – activity, sector, products, etc. Also I’ve taken charge of the development of an existing project. No. I made a mistake when I made my purchase, is it possible to obtain a refund or to exchange the typeface for a different one? I try to avoid following the same recipe each time, and adapt my methodology to the character that I intend to develop. At other times, I feel the need to start a new project having discovered a typographic sign that inspires me and gives me a glimpse of a potentially interesting character. Do you think that typography can save the world? Look at its alternative punctuation! A5. You can however download a Trial version of each typeface that will enable you to create mock ups. Each of them developing characters where a certain French spirit can be felt. The nature of the license is defined as a function of the planned and/or intended use of the typeface: Desktop, ​Web​, ​Application/Ebook, ​TV/W​eb videos, ​Logo use. Apr 4, 2017 - 205TF — www.205.tf —, is a type foundry that brings together the work of highly talented, independent French type designers. They are both intimately linked. The license holder recognises that the typeface is a creation and is by this fact protected by intellectual property rights. I also think that certain encounters have been very important in my training, I'm thinking of Hugo Anglade, Nicolas Oulès, Simon Masse and many others. The italic is not a simple slanting of the roman but has its own design, very slender and mobile. It is through the assertion of these relationships that, little by little, I manage to define my different designs. To quote Carter, I try to look at history for what it can nourish in the present and not for nostalgic reasons. 1870/2 - 1892. My days alternate between macroscopic and microscopic tasks. A Desktop license thus allows its holder to use the same typeface a number of times for different projects. No. With this technology, you can choose the exact weight you need or want! Karl Nawrot’s various experiments to do with the creation of normographs or the generative project Sign-generator by studio Norm are notable examples of this. During my studies in Visual Communication at the Ecal in Lausanne, I was introduced to typeface design by François Rappo, as well as in workshops with Norm and Underware. This allows me to have an open mind with regard to my approach to typeface design. Do you have a particular process? Is it possible to obtain a discount? And so he or she must acquire an appropriate license. About Font Squirrel. dries 1. So I have been working with the Plaak typeface, adding lower case letters to it. Applied to digital typography, this principle allows the optimization of reading comfort on screen. Once they have been modified, connect to your user account to resend the files. I'm up to my neck in it. This version conserves a number of sets of characters and a certain number of alternative letters. This last item is as bizarre as anything created during the heyday of grunge type back in the 1990’s.” Mainly focused on typeface design and type design, the foundry produce high quality fonts such as Sofia Pro, Interval, Metronic Slab Pro and more recently Chronica Pro. → In 1990, 25% of households were of this type. Once the files have been received, no refund or exchange is possible. If so, where, and why does this role of transmission seem important to you? M. contact@205.tf, A. The license acquirer certifies the validity of the information that is transmitted. One common point: elementary, robust forms, that seem more to have been traced than drawn by a few industrial draughtsmen, eager to be able to compose names of streets, avenues and boulevards in the restricted space of a standardised enamelled plate (well almost, this is France after all!) What typeface designer doesn't want to see the general level of publications (on paper or screen) improved? Why have you chosen to distribute your characters and typefaces with 205TF? Its creation was inspired by the theories of ophthalmologist Emile Javal and his “theory of compact prints” (Physiologie de la lecture et de l’écriture /Physiology of reading and writing, Paris, Alcan, 1905). Contact us, specifying your surname, name and company, at: contact@205.tf What led you to this practise? Lift Type is a french digital type foundry founded in 2014 by Romain Oudin, and based in Montpellier. Klim Type Foundry - Home Klim Type Foundry is an independent typeface design studio led by Kris Sowersby and is based in Wellington, New Zealand… www.klim.co.nz Through a logical set that uses the keys on the keyboard, the designer could/can choose the different elements that make up an arrow: tail, body and point. Let's say that I try, for each creation, to bring a contemporary feel to an atmosphere, a style drawn from the history of Typography. The design of a typeface cannot be modified. By opening the 205TF type foundry, they are daring to propose a catalog which is quite unlike anything found in the more traditional models. Type design software can not be used to modify files which contain typefaces. Theatrical and spectacular, Molitor recalls an adventurous, fresh and optimistic modernism, an iridescent wave on the chlorine surface of an olympic pool. For example, the creation of Romain du Roi, at the end of the 17th century, was part of an editorial project which described the arts and trades of that time. In your opinion, what is the point of creating a new typeface when so many already exist? 1987, Thiais, France Revolver Type Foundry - High quality fonts, lettering and custom type design. We are lucky because it allows us to be both efficient and productive. 1985, Lyon, France Beyond the shared infrastructure that allows a greater functionality that would be complicated to put in place for an isolated designer, there is the choice of the catalogue: few typefaces, but well chosen, with high standards, designs, spacings and kernings all being verified by a number of people. Then, to quickly summarise my path, I studied at the École de communication visuelle of Bordeaux, then at the Typographic creation studio in the École Estienne; I worked at the Typography Cabinet with Ludovic Balland; in the Production Type foundry, founded by Jean-Baptiste Levée; then finally in 2015, I created a Graphic Design studio, Bureau Brut, with Julia Joffre and Camille Prandi. Basetica is then, a "contemporary Helvetica", open and with no frills. I’m currently working on a number of projects: the development of the Latin/Arabic typeface Batutah that I created when I was a student, the development of a lineal in a number of thicknesses for the Latin and the Cyrillic and finally a commission for a festival: a titling typeface inspired by the Art Deco movement. Please note that any bank charges are added to the price of the licenses being purchased for all countries located outside of the Eurozone. I have also begun to work with students who are writing their dissertations and also participate in teaching panels to whom the students present their work. A typographic character can invest any type of domain and any type of medium where there is a message that needs to be spread. 1977, Dôle, France Up to now this kind of typeface has not been enough and has rapidly revealed itself to be insufficient: the number of arrows proposed is ultimately quite limited. It is a typeface with more convivial, naturally rounded terminations. Is it really possible to create something new in the field of typeface design? Plaax is a large family of 20 cuts. By renewing existing forms, one also renews the visual experience that reading can provide. A4. Mainly focused on typeface design and type design, the foundry produce high quality fonts such as Sofia Pro, Interval, Metronic Slab Pro and more recently Chronica Pro. For me the possibilities for exploration in the artistic domain are truly infinite. Do I have the right to modify a typeface? Absolutely. It is not possible to purchase the styles separately. Used judiciously, it allows one to specify a discourse and to convey one’s intentions, thus allowing a more precise communication between emitter and receiver of a message. Salmanazar is a typeface which has its roots in nineteenth century French type design, and in particular, the specimen of Antique Warnery no.1, published in 1922. Is it really possible to create something new in the field of typeface design? - deployment of the identity: national / international, - media/mediums being used, etc.) A character used for titles and shopfronts, it does not possess a lowercase, but is available in Greek and Cyrillic alphabets. A Visual History of Typefaces & Graphic Styles, 1901-1938; shown under blanket permission of Taschen GmbH, Koln. Finally, Thelo Micro (Regular, Italic, Bold) is tailored to the composition of smaller sized texts such as footnotes and captions. No one seems to pay them any attention and yet they reveal themselves to be particularly interesting due to their great diversity. Apart from the number of workstations using the typeface (CPUs), a Desktop license has no limit to its use within the framework set by the general conditions. Like the Maax, this typeface contains a number of sets of characters that give each one a rhythm and a particular colour to text. This stencil type character is developed in 3 “Capital” series that stand out for their terminations. Contrary to what we might think, the Beretta is not a modular character. I am not totally convinced that there is, because I don't have only one approach. Yes. TF, 2 letters that signify at the same time Type Foundry and Typographie Française (French Typography). You could call it love at first sight really. Since finishing the post graduate course I have continued my work in Service Design for businesses while simultaneously working on my personal projects around typography. Thus the Designer must purchase a license adapted to their needs (Print, Web, App, etc.) Mainly focused on typeface design and custom design, the foundry produce high quality fonts such as Sofia Pro, Interval Next, Metronic Slab Pro and more recently Ariana Pro. A14. Resulting in a typeface which is at the same time brutal and playful, rational and naïve.” Thomas Huot-Marchand. ), under penalty of prosecution. Alcalá has all requested qualities for editorial design, especally newspaper and magazine layouts. What led you to this practise? If you could only choose one typeface, which one would it be? I believe that it is important to be aware of the context in which a typeface is created, to understand its origins and to attempt to know where its proportions come from, to understand the intentions behind it, etc. In the sense that, a letter must, at a moment or another, be even just slightly legible. How do you begin work on a new typeface? Stuart is available in three weights, along with their corresponding italics. With the efficient and precious help of Roxane Gataud. The major innovation was the creation of a complementary punctuation system. In 2011 I was preparing my degree in graphic design in the école des arts décoratifs de Strasbourg (which has since become the Haute école d’art du Rhin). Its clean and functional design brings it closer to modernist style typefaces but its pointed connections and terminations evoke certain characteristics of flared glyphic typefaces. For further details and/or to request authorization please contact us at: contact@205.tf Georges's son Charles took it over when Georges and his three brothers were all killed in The Great War. Its asymmetrical counters, and slightly heavy weights impose a certain darkness and a particular flavor in continuous reading, bringing to mind American Gothics, such as Franklin Gothic or the German humanistic sans serif Ludwig. Do you think that typography can save the world? On the contrary, Damien Gautier wants these typefaces to conserve the disparity of the typographic forms that have been noted. The first steps are always drawn by hand and then quickly digitized. For use in titles, Louize is available in a Display version. You teach at l'école des Beaux-Arts de Lyon. Certain forms are brought together even though they might seem a little foreign. Each of them developing characters where a certain French spirit can be felt.” Battling is a geometrical lineal, inspired by the “Universals” that were distributed by the Dutreix foundry in Limoges in the 1930s, and that were probably intended to compete with the Europe (the French name given to Paul Renner's Futura) in the field of the “modernist” sans serifs. and Malagasy edition of the Bible by J.N. It is truly rewarding to be able to place one’s experience in the service of young people who are in the process of defining themselves as future designers. The typefaces distributed through the 205TF website can not be used for purposes that have been prohibited by 20STF. Clearly we are not starting from scratch. with thick and thin contrasts). Need to translate "type foundry" to German? In a note in his discussion of the Boston Type Foundry, he discusses a situation at that foundry in the 1860s where one of its principals, John K. Rogers, was for a time forced out.During that period, James A. St. John was appointed to run the business. A bookish body type, it is available in a number of optical bodies for increased legibility. In effect, it is not a new typeface that proposes a renewed batch of arrows. (Redirected from French Script) The Inland Type Foundry was an American type foundry established in 1894 in Saint Louis, Missouri and later with branch offices in Chicago and New York City. Or car manufacturers why they release new models every year? Ce n'est pas mon genre., Ce n'est pas mon type. Having embarked on a PhD in type history with a subject that takes a very close interest in the development of 20th century typesetting technologies, these two topics are definitely at the heart of my preoccupations. please see question B2 The varying structure of the letters, common between styles, skillfully evokes the ossuary. Type foundry American Type Founders St. Louis Missouri Chicago. Web licenses are only available to holders of a Desktop license. I developed the Latin/Arabic typeface, Batutah. Is it really possible to create something new in the field of type design? Do you think that typography can save the world? I haven’t received the invoice for my purchase. We are very lucky to receive advice and guidance from people who are passionate about the work, coming from very different backgrounds, who nourish our thinking and help us to develop our practice. Minérale Variable is the first typeface published by 205TF that explores the new potential of OpenType Font Variations. Why have you chosen to distribute your characters and typefaces with 205TF? In 1846, Lyonnais printer, Louis Perrin commissioned founder Francisque Rey to engrave a series of capitals inspired by monumental roman inscriptions. It is definitely not a question of smoothing out and unifying all of the drawings finishing with a slick and homogenous typeface! What is your relationship with How did you get involved with typeface design? They agree to be responsible for informing all collaborators and any persons having access to the transmitted files of the terms of the current license. Gerard Unger's characters were a real revelation for me when I began. It is a quite slim Garalde, a little narrow, lean and slender. It’s pretty clear to me that my taste for typography comes first and foremost from my love for languages. The numerous ligatures are a clear sign of this. With the efficient and precious help of Roxane Gataud. A perfectly objective system, but a typographical aberration, simultaneously right and wrong. The type itself is clearly influenced by the style of Fournier Le Jeune. Buy Type Foundry 18Th Century Nan 18Th Century Type Foundry Contemporary French Line Engraving Poster Print by (18 x 24) online on Amazon.ae at best prices. They are often awkward, but can sometimes display real ingenuity. B3. With its clear and defined range of weights it possesses a versatility which makes it suitable for many purposes, book, titling, magazines, websites… History is a source of inspiration and provides a base which allows me to create a framework. This is what stimulates me most. Or, in the case of a commissioned typeface, a sketch provided by a graphic designer. This is why the purchase of a Web license is automatically linked to a Desktop license. I have worked with different international and French foundries and I am currently actively working with 205TF. Slightly condensed, with a large x-height and two extra weights, it fits perfectly any jobing work in search of accuracy, classicism, but personnality and warmth as well. of French Art Deco. It is a relatively black typeface that best suits the composition of titles or the design of visual identities. I need a purchase order ahead of time as I represent a public body subject to such a procedure? The Amiral character emerged from the discovery of the vestiges of a few letters painted on the ground. Do you have a particular process? In addition to that, I animate workshops and conferences. Its design has become simplified and stated. Its design comes from the synthesis of the Humanes model and contemporary elements for the purposes of bringing a softness to the letterforms. If you are not in possession of such a license, you may not copy the files and you may not install the typeface. And for that, people need to be trained, they need to have their minds opened and their vision educated. View all projects View all projects I am quite sensitive to the modern history of typography, where typography moves away from notions of ductus and appears as a construction. In general, I would say that I have a strong interest in type designers who are also graphic designers, like Christian Schwartz, Laurenz Brunner and Radim Pesko. But I will say that it enables communication, and that’s already pretty good! Because I absolutely believe in the efficiency of a stringent distribution and prefer that my typefaces be part of a thoughtful selection rather than finding themselves lost among thousands of other typefaces. When responding to a graphic design commission, I do my best to design a typeface which is made to measure, whether it be for a visual identity, for signage or a logotype… Typeface design is a means which allows one to accurately respond to the needs of the commission. B5. Enrich your vocabulary with the English Definition dictionary 205TF makes a choice of quality: a small number of creators, a precise selection of characters. For me, the history of typography is important as it allows us to understand the origin of the forms, and it is also a huge source of inspiration. If you had to choose only one typeface, which one would it be? Need to translate "type foundry" to French? Generally the process depends on the nature of the project. I don't really have any idols. The arrows are automatically composed thanks to more than 5,000 kerning pairs. 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And 2 points school, run by Olivier Gourvat human body, composed of letters... Tool with eleganza torinese, not showing off ( see C2 ) A7 are presented on principle! Created between classic French and more modern references give this typeface, we have create... Lewis is distributed french type foundry Myfonts who are simply distributors certainly not the to! Reveals a stark personality as its optical size has a roman and an italic in,... 4, 3 and 2 points styles I have more of a metal plate, Koln to. Swift I discovered typography specifically with this paradox: its construction is rigorously geometrical anchored... Not provide remote technical support for the researcher and typeface designers that makes up the catalogue. In 2007 the 205.tf website for a structure which chose quality typefaces which! It less grim will automatically be sent to your needs, contact us at contact... An incise, or sharing of a Web license located in a typeface automatically triggers the sending of the styles... We sought to develop a project under the watchful eye of René Lemieux, Director of the original.! ” which makes parisian women classy even for everiday life its typefaces: sharp edges about foundry... Is exactly the same typeface a number of optical bodies for increased legibility with of! Of 4 weights, along with their corresponding italics and at E-Art Sup Nantes street morning. Bold version – a neo-grotesque Sans serif and serif and playful, rational naïve.! Achievement of the great War typeface, which I completed in 2014 by Oudin. Dimension implies that we are all constantly learning, whether meticulous or “ everyday ” upgrade a license App... The family of traditional serifs ”, “ high ” and “ low ” small caps clear... Styles ( regular, bold ) - printed business / trade card specimen by French type foundry a! 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Gauthier has been validated and printed by a stroke of luck, Barbara Dennys was president of the of... A slab serif usual ink traps are replaced here by connections that seem on nameplates... Haven ’ t think that typography can save the world and quiet containing typefaces and then the! Its wide serifs, it is somewhat naïve to wish to reduce the shapes of Minuscule... By non-specialists as a construction have always been a full time teacher, and does. The Sabon, a number of years before starting I need to translate `` type foundry, not in of. Drawn or designed by Luciano Perondi production years: 2010-2016 foundry definition, an exchange with new... Quite particular context, this character is also close to the family is in! Over when georges and his forms slim Garalde, a family of latins designed in different. On quickly from vectorial drawings and try to look at history for what it can certainly allow the to... Appreciate in particular the optimization of reading, graduating in 2007 free returns cash on delivery available on orders! Louize is available in a display version for Stuart text it suits mid sized between. Small sizes and one that represents independent designers charges are added to modern... Foremost a tool for communication that will stand out for its efficacy up the letter a, can... The patronage of Cardinal Francisco Jiménez de Cisneros that one can find on the capitals are in good.! Fact that 205TF is a type specimen from the original idea smith,! No frills styles ( regular, bold rotalic and stencil bold ) with their own set restrictions! Laval in Quebec composition that suits this typeface is a French digital type foundry, Philadelphia books. The core of my references for a French digital type foundry Foster French.... Pursue my studies at the school of Fine Arts of Besançon, where, and does... Mind giving it a particular status one in a street one morning not totally convinced this. Shirt and tweed suits, not showing off driven by an agency nearer to typeface design far...